How Does One Corn A Beef
Mattie's is a small cafe/bar next to the railroad tracks. They served bar type food and beer to about thirty people more interested in the NCAA basketball tournement on television than four musicians trying to play country music. I played mostly mandolin and stayed just two hours before I went home. I was so tired I couldn't even concentrate on what I was doing.
There is also some wierd vibe between Ray and Doris. that's why Byron asked me to sit in, to help defuse (or maybe dilute) it. He said we'd play from eight to ten so by ten oh one I was out the door. They were still playing when I left.
The thing I liked was how easily I was able to slip into whatever they were playing. It's pretty much stripped down bluegrassy, three chord kind of stuff with maybe a II chord thrown in depending on Ray's mood. There were comments and looks exchanged between Doris and Ray all night but I would not let things get out of hand. I didin't care about their band politics, I was there to play. I could see Ray wanting to get squirrely at times but holding back for fear of pissing me off. Sometimes it is nice being a little higher up the food chain, so to speak.
I got home at ten thirty and was asleep by ten thirty-five.
This morning I took off the crappy strings I put on the Larrivee guitar Wednesday night, shimmed the saddle with a shim that had fallen out when I did that, then put on a new set of John Pearse light gauge phospore bronze strings, all before five thirty in the morning. It has made all the difference in the world, boy, I'm glad to have that guitar back. I should never have let it go in the first place. One rarely gets an opportunity to rectify a mistake like that.


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